They have taken the best of the British pop experience from the last two decades, with a remarkable ability to go even further back in time, enriching, in this way, their sound with some more retro flavors.
A project, this of Inky Nite from Brighton, born in full lockdown, that so far has signed three single tracks that make their mark. “Bad Machines” with those Kavinsky-like synths and vocals fused together, is a journey through time; “Spectres” uses the same ingredients and delivers a more incisive pop kick.
Their latest move is “The Canyon”, a song where the retro features are intensified by new wave luminescence, the synth-pop is enriched with tasty and clear guitar embellishments, a rain of alienating artificial light that never ceases to dazzle.
N.D.
